• Four actors and the Administrator are on stage to improvise a play, where, like life, it is perceived as pure entertainment and suddenly transforms into a drama conceived in the ‘Pirandello mode’. The play raises an existential question: “What should be the proper ratio of truth versus illusion towards a balanced life?”. Through it, the consciousness of each and every one and their relationship with the compromises of the stage is highlighted. This question pushes the play to have components of an absurd theater, attacking the comfort of the characters towards complacency, with the aim of placing the audience in front of human challenges, such as: the isolation of the individual, despair and the effort to find oneself in this reality.